A selfie is a paradigmatic way to prove to the contemporary world that one exists. The machine expresses this need by taking selfies of itself and sharing them on Instagram.
The piece, performing tireless the same action over and over again, questions our relationship with technology. On one hand, we teach machines to understand us, giving them the ability to replicate gestures and habits in a surprisingly human way. On the other hand, as we all seem to repeat the same behaviors with a given technology, we ourselves start acting as predictable machines.
Booklets and markers to capture feedback during the day. Cameras and flashlights to create light sculptures during the night.
Our aim was to explore, during a design-related event, people’s personal touch, focusing on the singularity of each person handwriting and drawing skills.
Based on the electronic board game with the same name, the piece takes its gameplay and proposes a new approach for the interface.
Changing the way to interact with the game, the installation engages people to run, sweat and collaborate, as they create during the process, an immersive light experience for all visitors.
Gif me, 2010
Gifs produced in real time using the stop motion technique, bringing out the inner creativity of people in unexpected contexts. The visuals are created by the audience with the assistance of a photographer, who performs as the interface for the installation.
The project evolved to become a service for events. Find out more at gifme.cc.
Mov me, 2010
We are used to stay still in front of cameras just before actually take a picture. This interactive installation takes advantage of that relationship to communicate seamlessly with participants, who are able to create short stop motion clips of themselves. Mov me invites people to inspire, remix and create new and exciting pieces.
Human interface, 2009
Conceptual exploration on digital interfaces. Three representations of computation actions (loading, mailing and updating) played out by a human as an starting point on questions like how do we relate with technology and how technology adapts to human beings.
The installation emulates the classical video game Space Invaders, and it uses foam balls as a physical interface to interact with the game and kill the invaders. As a result, a collaborative installation that makes people act and think beyond the screen.